Events: Archive
Köln, Glasmoog, Kunsthochschule für Medien, Filzengraben 2a
Mehr Infos unter: www.khm.de
Köln, Aula der KHM, Filzengraben 2
Trevor Wishart (composer, auther and software developer) is famouse for fathomning extended vocal techniques in an experimental way in his music as well as for using every day vocal recordings and transforming these electroacusticaly. For this he mostly uses his self developed softwaretools („CDP - Composers Desktop Project“). Further more he is auther of books on theory of music such as "On Sonic Art" and "Audible Design".
Mehr Infos unter: www.khm.de
Köln, Glasmoog, Kunsthochschule für Medien, Filzengraben 2a
Mehr Infos unter: www.khm.de
Köln, Aula der KHM, Filzengraben 2
Stephan Mathieu is a musician and sound artist based in Saarbrücken, Germany. He is working in the field of digital art, mainly as a self taught composer and performer of his own music.
His sound is largely based on early instruments, environmental sound and obsolete media which are recorded and transformed by means of experimental microphony, re-editing techniques and software processes involving spectral analysis and convolution.
Nocturne concert no. 40 will focus on two of his most recent compositions – "Les Chemins de Fer" and A Static Place".
Mehr Infos unter: www.khm.de
Köln, Glasmoog, Kunsthochschule für Medien, Filzengraben 2a
Mehr Infos unter: www.khm.de
Konservierungssequenz zu Hans Diebner, 'Liquid Perceptron'(2000).(c)Jürgen Enge 2011
Düsseldorf, imai c/o NRW-Forum | Ehrenhof 02
WORKSHOP ON THE PRINCIPLES OF CONSERVATION FOR THE LONG-TERM RETENTION OF COMPUTER-BASED ART WORKS
Speakers: Tabea Lurk, Bern and Juergen Enge, Karlsruhe
WEDNESDAY, NOVEMBER 15, 2011, 10 am - approx. 4.30 pm
The workshop will concentrate on the principles of conservation and working practices to preserve computer-based art works and transmit digital cultural artefacts.
http://www.imaionline.de/content/view/198/62/lang,en/
Preise: kostenlos | Teilnehmerzahl ist begrenzt auf 40 Personen
Mehr Infos unter: www.imaionline.de
Info-Download: Workshop_imai_15.11.2011_info.pdf
Köln, Museum Ludwig
Category: Exhibition
Andrea Parkins
Dortmund, mex im Künstlerhaus Dortmund, Sunderweg 1
Through the channels of her accordion ANDREA PARKINS pulls and pushes fragile thick and thin air, halting and flowing, electronically modified. Feedback, melodica and bells, and various toys and objects contribute to a complex and delicate sound network. ALESSANDRO BOSETTI's ars acustica is influenced by foreign languages and unusually articulating humans. A precarious programmed speech machine co-produces gnarled, devoured loops of verbal expression, whose sense is so centrally and clearly heard that one listens likewise to the concrete sound, an electronically-supported, mazy mantra. The percussionist ANTEZ is pulling and pushing hard and heavy devices on the strained, vibrating skin. Under the permanent friction with aluminium pipe and cymbal the thin leather resounds in the deepest and highest of pitches. It booms and chirps infra-, ultra- and extraordinarily, strongly and bodily - absolutely unplugged.
Mehr Infos unter: www.mexappeal.de
Köln, Forum VHS, Rautenstrauch-Joest-Museum, Köln
Mehr Infos unter: www.videonale.org ; www.soundtrackcologne.de
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: 0
Mehr Infos unter: www.videonale.org
Köln, glasmoog, Kunsthochschule für Medien, Filzengraben 2a
Mehr Infos unter: www.khm.de
Köln, Museum Ludwig
Category: Exhibition
Dortmund, mex c/o Künstlerhaus Dortmund, Sunderweg 1
Flower
Soundinstallations by Yoshihiro KAWASAKI (J)
Opening and concert Friday, September 16th - 8 p.m.
opening hours: Thursday - Sunday 4-9 p.m.
free entrance
Mehr Infos unter: www.mexappeal.de
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: 0
Mehr Infos unter: www.videonale.org
Gary Hill | Placing Sense | Mixed Media Installation | 1995
Düsseldorf, c/o NRW - Forum | Ehrenhof 02 | 40479 Düsseldorf
Presentation and archiving of media art in the light of copyright
A workshop with Dr. Till Kreutzer, Hamburg
The presentation and preservation of media art works is often a delicate issue with regard to copyright restrictions. Interference is often required which can have a bearing on personal rights or editing privileges:
the presentation of installations may require a change to the format of the data or, in the process of archiving, a formatting process may be carried out.
In addition, the question is frequently asked which actions are covered by copyright restrictions which grant a legal right of use and therefore allow actions without permission required from the legal owner.
Museums and archives are often faced with a dilemma when these questions arise. On the one hand there is the public responsibility to make cultural assets accessible and to look after these. On the other hand as they carry out their duties they must conform to the law. Given the complexity of copyright law, this task is not easy to handle.
The workshop should assist here by communicating the basics of copyright law with the aid of practical examples. The content will particularly address the origin and ownership of rights, the rights to process and make modifications, personal rights and restrictions which are relevant in the context of the workshop (e.g. in particular with respect to archiving law).
Dr. iur Till Kreutzer is a lawyer and partner of i.e., office for information technology laws. In his job as a lawyer he advises all types of media companies and especially also public institutions. He teaches copyright law, trademark law, data protection law and the law on personal rights and is a publicist and author of publications on legal themes relevant to information technology in legal journals and the mass media.
BINDING registration: up to June 30, 2011
by email to Britta Göllner: bg@imaionline.de
The number of participants is limited to 40 persons.
Participation: without charge
Language: German
Preise: kostenlos
Mehr Infos unter: http://www.imaionline.de/content/view/193/1/lang,de/
Info-Download: Workshop_imai_07.07.2011_info.pdf
!["Schnelle Brüter" von Hannes Lang](http://www.medienwerk-nrw.de/files/imagecache/w200px//files/img/users/25/KHM_Schnelle_Brueter.jpg ""Schnelle Brüter" von Hannes Lang")
"Schnelle Brüter" von Hannes Lang
Köln, Aula der KHM Köln, Filzengraben 2, 50676 Köl
Mehr Infos unter: www.khm.de
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2, 53113 Bonn
Preise: 0
Mehr Infos unter: www.videonale.org
George Widener, "Time Machine", 2011
Köln, KHM Aula, Filzengraben 2, 50676 Köln
George Widener is a self-taught artist who employs his mathematical calculating capability and his love for numerical puzzles to create art ranging from complex calendars and numerical palindromes to antiquarian landscapes and Asian scrolls.
His early fascination with calendars was so intense, that he developed a habit of mentally converting any number he saw into a calendar date. He predicts that some day his art will be enjoyed by super-intelligent machines such as thehigh-capacity computers under development today. His art “will help make these machinesfriendlier to us.”
The lecture will be in English.
Mehr Infos unter: www.khm.de, http://www.galerie-zander.de
Köln, Ehem. UFA Palast, Hohenzollernring 22-24
Mehr Infos unter: www.khm.de, http://www.angewandteakustik.org
HONF, Open Apparel, 2011
Köln, GLASMOOG, Filzengraben 2, 50676 Köln
Mehr Infos unter: www.khm.de, www.angewandteakustik.org, wiki-openaparel.natural-fiber.com
Franziska Windisch, "Asphalt", 2010
Bonn, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland Museumsmeile Bonn Friedrich-Ebert-Allee 4 53113 Bonn
Mehr Infos unter: www.khm.de, www.kunst-wettbewerb.de
Rosler "Point and Shoot", 2008
Köln, Aula, Kunsthochschule für Medien, Filzengraben 2
Since the 1960ies New York born artist Martha Rosler is working with different media like photography, photo-text-works, sculpture, video, performance and installation to analyse and scrutinise socially relevant themes in a critical but also humorous way.
Thereby her work concentrates on war and mass media, housing, homelessness and urban structures, networks of transportation, private and public space and above all on the role of woman.
Invited by professor Julia Scher, Martha Rosler will be talking about her multisided work at KHM.
The lecture will be in English
Mehr Infos unter: www.khm.de
Shackle © Cees van der Ven
Dortmund, mex im Künstlerhaus Dortmund, Sunderweg 1
Richard Lerman (USA): video, onions, straws, bicycle and electronics
Jorge Haro (ARG): laptop, live-electronic, video
Shackle:
Anne La Berge (B): fluits, electronic
Robert van Heumen (B): laptop, controller, joystick
Mehr Infos unter: www.mexappeal.de
Mattuschka, Haring "Burning Palace"
Köln, Kunsthochschule für Medien, Atelier 4, Filzengraben 2
Mehr Infos unter: www.khm.de
Bonn, Kunstmuseum Bonn, Friedrich Ebert Allee 2
Mehr Infos unter: www.videonale.org
Vija Celmins Galaxy #4 (Coma Berenices), 1974 Graphit auf Acrylgrund auf Papier / Graphite on acrylic ground on paper 30,5 x 38,5 cm The UBS Art Collection, London © Vija Celmins. Foto: The UBS Art Collection
Köln / Cologne, Museum Ludwig
This exhibition traces a great voyage of discovery of a very special artist: heaving oceans, arid deserts, spreading night skies and intricate spiders’ webs are Vija Celmins’ major themes. Since the late 1960s, this American artist with Latvian roots has used photographs of the four motifs as subjects of her oil paintings, pencil or charcoal drawings, and many different print techniques. Museum Ludwig is exhibiting 60 representative works that show the constantly subtle variations she makes on one’s perception of the same subject.
Mehr Infos unter: www.museum-ludwig.de
Köln, Aula, Kunsthochschule für Medien, Filzengraben 2
For over three decades artist Matt Mullican has created a complex body
of work concerned with systems of knowledge, meaning, language and
signification. Mullican has always been concerned with the
relationship between perception and reality, between the ability to
see something and the ability to represent it. Mullican’s oeuvre,
which takes form as drawing, collage, video, sculpture, performance,
and installation, confronts the nature of subjective understanding,
rationality, and cognition – in essence proposing a ›picture‹ of the
world.
Mehr Infos unter: www.khm.de
René Kemp, "Whitey", 2009
Köln, Eingang Süd, Passage 3/11 Koelnmesse Deutz
This year the Academy of Media Arts Cologne presents works of 27 young
artists, chosen from near to 70 submissions. The works are connected
through an interest for subtle, ironic and poetic shifts of
perception concerning social structures, mechanisms of the market and
medial changes.
Opening: 12.04.2011, 05-09 pm
Mehr Infos unter: www.artcologne.de, www.khm.de
Joel Shapiro Float, 2009 and Was Blue, 2010 Installation: Pace Gallery, 2010 534 West 25th Street, New York City Holz, Kasein und Angelschnur - Installationsausmaße variable / Wood, casein and fishing line - Installation dimensions variable Photo: Courtesy Pace Gallery © VG Bild-Kunst, Bonn 2010 Installationsansicht Galerie Nadja Vilenne, Lüttich, 2009 © Suchan Kinoshita, Courtesy: Galerie Nadja Vilenne
Köln, Museum Ludwig
Following an elaborately plan, Joel Shapiro (b. 1941) hung forty colored wooden beams in the museum’s large skylight room. Depending on where the observer stands, the whole thing changes completely; the impressions of size, depth, angle, and color transform. It is a work that will make those who cannot warm to abstract art enthusiastic. For one simple reason: it is highly concrete. It does not keep a cool distance; it reacts like a living creature.
Shapiro, one of the truly great artists of Postminimalism, is concerned with the human di-mension of art. Viewers do not simply stand in front of the work; they encounter it. The Rus-sian Constructivists, however objective they purported to be, also calculated such a dialogue into their work. Shapiro’s last works recall these strict masters and at the same time go nim-bly beyond them.
Mehr Infos unter: www.museum-ludwig.de
KRK
Dortmund, mex im Künstlerhaus Dortmund, Sunderweg 1
KRK (US): George Cremaschi_contrabass and analog electronics and Matthew Ostrowski_digital electronics and controllers
Sanne van Hek and Konraad Ecker (NL)_trumpet and electronics
Rinus van Alebeek (NL)_electronics
Mehr Infos unter: www.mexappeal.de
Info-Download: KRK.jpg
Johanna Billing, production still: I'm Lost Without You're Rhythm (2009)
Köln, GLASMOOG, Kunsthochschule für Medien, Filzengraben 2, 50676 Köln
Johanna Billing’s (born 1973, lives in Stockholm) video works deal with the notion of performance and the possibility it holds to explore issues of the public and the private. The show focuses on Johanna’s most recent video work: “I’m Lost Without Your Rhythm” (2009). The exhibition kicks off an intervention by the artist in the frame work of the series “Stadtbild Intervention” in spring 2011 at the city of Pulheim.
Mehr Infos unter: http://glasmoog.khm.de
Düsseldorf, NRW - Forum, Ehrenhof 2
Preise: kostenlos
Mehr Infos unter: http://www.imaionline.de/content/view/176/1/lang,de/
Info-Download: Workshop_imai_15.12.10_info.pdf
Claudia Robles
Dortmund, mex im Künstlerhaus Dortmund, Sunderweg 1
Mehr Infos unter: ww.mexappeal.de
Bungjun Kwon
Dortmund, domicil, Hanstastr. 7-11
Mehr Infos unter: www.mexappeal.de
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: 0
Mehr Infos unter: www.videonale.org
Katharina Sieverding. Testcuts. Projected Data Images
Düsseldorf, NRW - Forum, Ehrenhof 2
Preise: Buch: Buchhandel: 39,99 € | in der Ausstellung: 29,00 €
Mehr Infos unter: http://www.imaionline.de/content/view/144/1/lang,/
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: 0
Mehr Infos unter: www.videonale.org
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium und Foyer)
Mehr Infos unter: www.videonale.org
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium und Foyer)
Mehr Infos unter: www.videonale.org
Köln, glasmoog, Kunsthochschule für Medien, Peter-Welter-Platz 2
glasmoog presents a solo show by Agnes Meyer-Brandis.
In her work, the artist explores the boundaries between facts and fiction, imagination and technology. The exhibition focusses on Meyer-Brandis´ artistic experiments with the absence of gravity.
Mehr Infos unter: http://glasmoog.khm.de, www.forschungsfloss.de
Seiji Morimoto: Schimmer; © Jörn Schulz
Dortmund, mex, Künstlerhaus Dortmund, Sunderweg 1
Mehr Infos unter: www.mexappeal.de
Dortmund, Dortmunder U – Zentrum für Kunst und Kreativität, 3. Etage
- Exhibition in cooperation with the Goethe-Universität Frankfurt / Main in context of TWINS / Ruhr.2010 -
For the inter-cool exhibition special architectures are being developed, which connect to the room of young people and mobile architectures that mediate the issue.
http://www.twins2010.com/
Curated by Birgit Richard and Inke Arns.
Mehr Infos unter: www.hmkv.de
Katharina Sieverding: Projected Data Images, Berlin 2009
Düsseldorf, imai - inter media art institute, NRW-Forum Düsseldorf, Ehrenhof 2, 40479 Düsseldorf
Katharina Sieverding will show several projection formats which she reconceptualised especially for imai at the NRW-Forum, revealing and continuing her practice of visual constructions and interventions in the media of film and photography that she begun in the 1960s.
Mehr Infos unter: www.imaionline.de
Dortmund, Orchesterzentrum NRW Dortmund 10:00 – 12:00 Uhr | Dortmunder U 13:30 – 15:30 Uhr
This panel assembles experts concerned with the complex issue of conservation and restoration of media art installations, who will present their recent research on restoration practices. The panel will be held in English.
The second part of the programme includes a presentation of Bill Seaman's Installation Exchange Fields (Collection Museum Ostwall, Dortmund). The panel will be held in English.
Mehr Infos unter: www.imaionline.de
Dortmund, Orchesterzentrum|NRW Brückstraße 47
At the turn of the 21st Century, new media has become a matter of course and the technology of electronic data processing is constantly being perfected. Just how immaterial is data really? Does it not carry a certain amount of weight, after all? In the exhibition – developed by students and members of the teaching staff of the KHM – the immaterial is exposed as “Heavy Matter”.
Mehr Infos unter: http://heavymatter.khm.de
The title of this symposium refers to a new dynamic, which results from a modified perspective of the roles artists, audiences, and users play within today’s arts’ environment, such as museums. What happens to the artistic message in virtual spaces of media art? We would like to discuss these questions during our symposium as part of ISEA2010 RUHR.
Mehr Infos unter: www.mediengeschichte.uni-siegen.de
Essen, PACT Zollverein, Bullmannaue 20a
›evaporated landscapes‹ creates a landscape utterly devoid of people, an empty artistic world subject to perpetual shifting. Here, choreography no longer implies the organisation and movement of bodies in space, but rather the relationship between ephemeral, deciduous elements.
Preise: VVK/AK 6 € (inkl. VRR-Ticket)
Mehr Infos unter: www.pact-zollverein.de
Essen, PACT Zollverein, Bullmannaue 20a
Inspired by a clip of Sir Simon Rattle rehearsing with the Berlin Philharmonic Orchestra Xavier Le Roy became interested in Stravinsky’s ›Le Sacre du Printemps‹. He studied Rattle’s interpretation comprehensively as though it was an autonomous choreography.
Preise: VVK 11 € / erm. 6 € - AK 13 € / erm. 8 € (inkl. VRR-Ticket)
Mehr Infos unter: www.pact-zollverein.de
Essen, PACT Zollverein, Bullmannaue 20a
›evaporated landscapes‹ creates a landscape utterly devoid of people, an empty artistic world subject to perpetual shifting. Here, choreography no longer implies the organisation and movement of bodies in space, but rather the relationship between ephemeral, deciduous elements.
Preise: VVK/AK 6 € (inkl. VRR-Ticket)
Mehr Infos unter: www.pact-zollverein.de
Tine Tillmann / Laura Popplow, Fungifiction, 2010
Dortmund, Westfalenforum Dortmund / Orchesterzentrum|NRW
At the turn of the 21st Century, new media has become a matter of course and the technology of electronic data processing is constantly being perfected. Just how immaterial is data really? Does it not carry a certain amount of weight, after all? In the exhibition – developed by students and members of the teaching staff of the KHM – the immaterial is exposed as “Heavy Matter”.
Mehr Infos unter: http://heavymatter.khm.de
Bill Seaman, Exchange Fields, Zeche Zollern II/IV (2000)
Ruhr/Germany, ISEA2010_RUHR
Mehr Infos unter: www.imaionline.de
Soichiro Mihara, moids 2.0, photo: Ryuichi Maruo
Dortmund, Dortmunder U
Opening: Fri 30 July 2010
TRUST explores our relation to machines and media. The exhibition aims to trace the aesthetic dimensions of this confidence. The works encourage the audience to enter into a reflexive dialogue with technology and media systems.
Works by Konrad Becker, Sophie Bélair Clément, Verena Friedrich, Ariel Guzik , knowbotic research, Joan Leandre, Julien Maire, Seiko Mikami, Naeem Mohaiemen and others.
Mehr Infos unter: www.isea2010ruhr.org
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: frei
Mehr Infos unter: www.videonale.org
Expedition Foxe Basin 2009
Dortmund, HMKV in der PHOENIX Halle Dortmund
The cooperation project Arctic Perspective - Third Culture 2010 is looking toward the global, cultural and ecological importance of the polar region. The exhibition was developed in collaboration with Projekt Atol, Ljubljana (SI), The Arts Catalyst, London (UK), C-TASC, Montreal (CA), Lorna, Reykjavik (IS).
Mehr Infos unter: www.hmkv.de
Zsolt Gyenes, Wire
Dortmund, mexKeller im Künstlerhaus Dortmund, Sunderweg 1
"Lektrónia"
Zsolt Sörés - live-music and noise, Zsolt Koroknai - installation and live-visuals, Márta Ládjánszki - dance
"CT" (world premiere)
Andrea Szigetvári - music, Zsolt Gyenes - visuals
Preise: 6 €
Mehr Infos unter: www.mexappeal.de
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: frei
Mehr Infos unter: www.videonale.org
Essen, PACT Zollverein
›FREE FALLING‹ is a new series of film programmes, conversations, and lectures. The first weekend unfolds around two pivotal works that highlight junctures between artistic and societal experimentation: William Greaves’ ›Symbiopsychotaxiplasm: Take One‹ (1968) and Jean-Pierre Gorin’s ›Poto and Cabengo‹ (1979).
Preise: für beide Tage: VVK 15 € / erm. 7 € (inkl. VRR-Ticket) - AK 17 € / erm. 9 € (inkl. VRR-Ticket)
Mehr Infos unter: www.pact-zollverein.de
Essen, PACT Zollverein
›FREE FALLING‹ is a new series of film programmes, conversations, and lectures. The first weekend unfolds around two pivotal works that highlight junctures between artistic and societal experimentation: William Greaves’ ›Symbiopsychotaxiplasm: Take One‹ (1968) and Jean-Pierre Gorin’s ›Poto and Cabengo‹ (1979).
Preise: für beide Tage: VVK 15 € / erm. 7 € (inkl. VRR-Ticket) - AK 17 € / erm. 9 € (inkl. VRR-Ticket)
Mehr Infos unter: www.pact-zollverein.de
Dortmund, HMKV im Dortmunder U – Zentrum für Kunst und Kreativität, 2. Etage
At the exhibition which is initiated by the Goethe-Institut Warsaw attend four young, internationally renowned video or mediaartists: Deimantas Narkevicius (Lithuania), Yael Bartana (Israel), Marcel Odenbach (Germany), Miroslaw Balka (Poland). All will contribute new productions for these exhibitions.
Mehr Infos unter: www.hmkv.de
© Alain Depocas, 2010
Düsseldorf, Filmmuseum, Studio FX, Schulstr. 4
Preise: kostenlos
Mehr Infos unter: www.imaionline.de
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: frei
Mehr Infos unter: www.videonale.org
Judit Kele: I am a Work of Art, 1979 © Judit Kele Ondrej Brody: Protest, 2005 © Ondrej Brody Scott Blake: Flipbook 9/11, 2005- © Scott Blake
Dortmund, Dortmunder U - Zentrum für Kunst und Kreativität, 3. Etage
An exhibition of Hartware MedienKunstVerein Dortmund in cooperation with the Institute of Contemporary Art - Dunaujvaros (Hungary)
- In the context of the national festival scene: hungary in nrw / 40th International Cultural Days of Dortmund --
Curated by Beata Hock, Franciska Zolyom and Inke Arns.
Mehr Infos unter: www.hmkv.de
Duesseldorf, Salon des Amateurs, Grabbeplatz 4, 40213 Duesseldorf
Albert Markos (Cello), Peter Szabo (Elektronik), Igor und Ivan Buharov (Video), Marc Matter (Turntable), Sven Hahne (Elektronik, Video), Matthias Muche (Posaune).
Preise: 8.- / 10.- Eur
Mehr Infos unter: http://www.salondesamateurs.de/
A40RUHR
Düsseldorf, Onomato Künstlerverein, Birkenstr.97
The Belgian artist Maria Blondeel, stipendary of North-Rhine Westphalia in cooperation with the City of Duesseldorf and medienwerk.nrw, exhibits her sound- and video-project A40RUHR, which she completed during her stay in North-Rhine Westphalia.
opening houres: 21.30-23.30.
Preise: -
Mehr Infos unter: www.onomato.de, www.mariablondeel.org
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Konferenzraum)
Preise: frei
Mehr Infos unter: www.videonale.org
Köln, glasmoog Filzengraben 2a
In the tradition of found-footage art, canadian artist Aleesa Cohene extracts filmic elements from their original narrative continuity, creating her own composite stories and characters. Her first solo exhibition in Germany focuses on the 2-channel video installation “Like, Like” (2009).
“Like, Like” portrays two love-sick women missing each other.
Mehr Infos unter: http://glasmoog.khm.de
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: frei
Mehr Infos unter: www.videonale.org
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: frei
Mehr Infos unter: www.videonale.org
Essen, PACT Zollverein
In a remarkable double programme, Meg Stuart and Tim Etchells are presenting five solo pieces. The renowned choreographer and dancer Meg Stuart and Forced Entertainment ›mastermind‹ Tim Etchells have conceptualised an evening that brings their artistic vantage points into reciprocal dialogue.
Preise: VVK 11 € / erm. 6 € (inkl. VRR-Ticket) - AK 13 € / erm. 8 € (inkl. VRR-Ticket)
Mehr Infos unter: www.pact-zollverein.de
Albi (France), GMEA Groupe de Musique Electroacoustique d’Albi-Tarn Centre de Création Musicale
Composition pour clarinette et clarinette basse, saxophone soprano, deux trombones, générateurs de sons électroniques et vidéo.
Michel Doneda-saxophone, Sven Hahne-vidéos et électronique, Joris Rühl-clarinet, Leo Riegler-électronique, Daniel Riegler-trombone, Michael Thies-vidéos, Matthias Muche-trombone
Mehr Infos unter: http://www.gmea.net/activite/creation/2009_2010/timeart.htm
Köln, glasmoog, Filzengraben 2a
“re-active platform”, initiated by Susanna Schoenberg in 2004, is about the logic and aesthetics of systems.
Circuits, signals and displays are represented by several artists as objects, images and sites, while the "phenomenon of real" seems to be nothing more than just mere coincidence. Opening: Friday, March 19, 7 p.m.
Mehr Infos unter: www.glasmoog.khm.de, www.khm.de/export/re-active
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
Preise: frei
Mehr Infos unter: www.videonale.org
Albi (France), GMEA Groupe de Musique Electroacoustique d’Albi-Tarn Centre de Création Musicale
Composition pour clarinette et clarinette basse, saxophone soprano, deux trombones, générateurs de sons électroniques et vidéo.
Michel Doneda-saxophone, Sven Hahne-vidéos et électronique, Joris Rühl-clarinet, Leo Riegler-électronique, Daniel Riegler-trombone, Michael Thies-vidéos, Matthias Muche-trombone
Mehr Infos unter: http://www.gmea.net/activite/creation/2009_2010/timeart.htm
Essen, PACT Zollverein, Bullmannaue 20a
ATELIERS offer young professional artists of all disciplines from NRW, Germany and abroad – as well as our artists in residency – an evening length platform to present their works, projects and ideas at PACT Zollverein.
Preise: Eintritt nach Gusto, nur an der Abendkasse
Mehr Infos unter: www.pact-zollverein.de
Nic Collins. Circuitry for Salvage (Guiyu Blues), Photo by Simon Lonergan
Dortmund, mexKeller im Künstlerhaus Dortmund, Sunderweg 1
Nicolas Collins (USA)
Salvage (Guiyu Blues)
For seven performers reanimating dead circuitry
David Behrman (USA)
Laptop and live-electronic
Damian Marhulets (BY)
8 1/2 Bits
Turntable+Electronic+Live Visuals
Preise: 5 €
Mehr Infos unter: www.mexappeal.de
Franziska Windisch, Unknown Places, 2009 (Video, 5 min.)
Köln, glasmoog, Kunsthochschule für Medien, Filzengraben 2a
Franziska Windisch (b. 1983, studies since 2005 at KHM) is a sound and media artist who lives in Cologne. Her latest works deal with the recording of sound and movement in time and space, looking for settings in which the action can write its own score via the traces it leaves.
Opening 05.02.10, 19:00
Mehr Infos unter: http://glasmoog.khm.de
Bonn, Kunstmuseum Bonn, Friedrich-Ebert-Allee 2 (Auditorium)
A tour through videoart.ch. platform with the selection of ten titles highlighting some of the various genres and interests of Swiss video artists today. Founded in 2003 by videocompany.ch, our collection includes more than 185 titles. videoart.ch supports the distribution of unlimited single channel works by Swiss artists.
Preise: frei
Mehr Infos unter: www.videonale.org
Essen, PACT Zollverein, Bullmannaue 20a
AGORA 2010 / Feldstärke International is inviting to the Ruhr Metropolis students studying artistic disciplines at art institutions throughout the world. In small, interdisciplinary groups and with questions/topics in tote, they’ll blaze trails through the region for a week. The resulting work will find presentation in a public programme.
Preise: 5 €, nur an der Abendkasse
Mehr Infos unter: www.pact-zollverein.de
Bonn, ANIMAX Theater, Moltkestr. 7-9 (Kinopolis-Gebäude)
Mehr Infos unter: http://www.animax.eu
Bonn, ANIMAX Theater, Moltkestr. 7-9 (Kinopolis-Gebäude)
Mehr Infos unter: http://www.animax.eu
Sydney, Melbourne, Blue Mountains, Brisbane, Hobart, Mona Foma Festival, Goethe-Institut Australien, Horse Bazaar, Now now Festival, Judith Wright Centre
Michel Doneda, Sax. (F) Kym Myhr, Git. (NO) Sven Hahne, Video (DE) Matthias Muche, TB (DE) Clayton Thomas, Bass (A) and Clare Cooper, Guzheng (A). They all share the artistic goal which fuses classical instruments, electronic sound generators and the electronic image into one single artistic form of expression.
Mehr Infos unter: http://www.goethe.de/ins/au/lp/kue/mus/deindex.htm
Das Projekt 2-3 Straßen von Jochen Gerz
Duisburg, Sankt-Johann-Straße/Saarbrücker Straße
Preise: Eintritt frei! Besuchstermine nach Vereinbarung
Mehr Infos unter: http://www.2-3strassen.eu
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